學音樂制作去哪個學校學音樂制作去推薦的學校如下：
1、伯克利音樂學院，伯克利音樂學院是美國乃至全球頂尖的現(xiàn)代音樂學院，坐落在美國波士頓，其音樂藝術(shù)教育方面享譽全世界。2016年與同樣頂尖的古典類音樂學院波士頓音樂學院正式宣布合并。伯克利音樂學院培養(yǎng)了眾多格萊美獲獎人才。是音樂藝術(shù)學習者夢想的殿堂。
2、紐約大學，紐約大學實際上有兩個音樂制作部門，一個在稱為Clive-Davis錄音樂系的“Tisch”學校，另一個在專注于音樂技術(shù)的“Steinhardt”學校。兩者都很優(yōu)秀，但兩者之間存在重大差異。
3、洛杉磯音樂學院，洛杉磯不僅是世界娛樂與電影產(chǎn)業(yè)的中心，更是培養(yǎng)頂尖音樂人才的搖籃，洛杉磯音樂學院（LACM）便是其中的佼佼者。
4、曼徹斯特大學，作為全英國最大的全日制大學，曼大成為中國留學生申請人數(shù)最多的英國大學，有“中國城”之稱。曼徹斯特也是比倫敦以外的任何一個英國城市都更專業(yè)的音樂制作之鄉(xiāng)。
5、利茲大學，利茲大學（The-University-of-Leeds），世界百強名校，英國頂尖學府，英國常春藤聯(lián)盟羅素大學集團創(chuàng)始成員，英國著名的六所“紅磚大學”之一，世界大學聯(lián)盟成員，白玫瑰大學聯(lián)盟成員，N8大學聯(lián)盟成員，英國12所精英大學之一。
第一類是錄音藝術(shù)類;
第二類是音樂制作類;
第三類是音樂技術(shù)類;
第四類是影視多媒體配樂類;
第五類是流行音樂創(chuàng)作或唱作類。
1、錄音藝術(shù)
錄音藝術(shù)專業(yè)要求學生具有較高的藝術(shù)素質(zhì)，有較深厚的音樂功底并且熟知各種高端錄音設(shè)備，開設(shè)錄音藝術(shù)的學?；径紩才艑嵙?，在校期間的學生也可以為學校提供有償?shù)匿浺舴铡＝?，有越來越多的音樂家也投入到了錄音藝術(shù)的行業(yè)。
2、音樂制作類
這類的學習的內(nèi)容比較全面。從基礎(chǔ)理論，到編曲手法，再到錄音技術(shù)和混音指導。未來想做音樂制作人的可以首選這個專業(yè)，知識面會比較廣哦。
3、音樂技術(shù)類
這類的專業(yè)會比較側(cè)重于音頻技術(shù)、信號處理、電子聲音處理、音頻分析計算機音樂軟件開發(fā)應用，音樂基礎(chǔ)認知等。
這類別的專業(yè)名稱主要有Computer Music， Music technology 等，代表院校有 UC San Diego，Peabody
Institute。該類別專業(yè)比較適合于有理工科背景。
4、配樂類
這類包含了影視配樂類，多媒體配樂，游戲配樂等。
比如Media Scoring， Music Composition for the Screen，filmscoring， Film
Composition，Scoring for Film and Multimedia， Sound Design for Video Games
等都屬于這類的專業(yè)。
5、現(xiàn)代作曲和唱作專業(yè)
該類的專業(yè)就是嚴格意義的音樂原創(chuàng)專業(yè)了，需要學生具備很強的音樂基本功以及創(chuàng)作性。學生本身要有創(chuàng)作的欲望，有自己獨特的想法，甚至可以有自己的音樂調(diào)調(diào)。
這類專業(yè)主要有：Music Composition and
Technology，Composition(要在現(xiàn)代流行音樂學院里面選哦)，Singer/Song writer，Commercial
Songwriting，Songwriting ，Commercial
Music，看過這些專業(yè)的課程設(shè)置你就會知道，其實這都是一個類別的專業(yè)，在課程設(shè)置方面也有很多的相似點。申請美國大學音樂專業(yè)的要求有哪些？1、所有國際學生都需要TOEFL成績， IBT也最好在80分以上。
2、一般來說偏理論的專業(yè)要求提供GRE成績，比較音樂理論或者教育，對于器樂類專業(yè)大部分不需要GRE成績，更看重的是音樂的表現(xiàn)力。
3、GPA：學?；旧弦笊暾埲说腉PA達到3.0以上。
4、作品集是申請的核心，是決定申請成功與否的并且能否拿到獎學金的關(guān)鍵。5、Essay：一般1-2篇，綜合性大學下的音樂學院要求更難一些?！玖私飧嗨囆g(shù)留學內(nèi)容】
藝術(shù)留學，推薦斯芬克國際藝術(shù)教育。斯芬克專注于國際化啟發(fā)式教學，以專業(yè)為核心;能力培養(yǎng)為目的，培養(yǎng)學生獲得敏銳的設(shè)計思維、創(chuàng)新力、團隊協(xié)作能力和動手實踐能力，放眼不同領(lǐng)域進行學習和探索實踐，快速向國際化學習環(huán)境過渡。目前培訓可覆蓋英美日澳加等13個發(fā)達國家，50+藝術(shù)細分專業(yè)。美國留學音樂專業(yè)面試時應該怎么做美國留學音樂專業(yè)面試時從以下幾方面做：
首先，熟練背誦譜子。我指的是非常細致的背誦，并做到穩(wěn)定的演奏。你要為你的面試做好125%的準備，因為面試的時候，大部分人會損失掉自己25%的真實水平。
第二，節(jié)奏和音準一致。穩(wěn)定的節(jié)奏和音準，是音樂的基礎(chǔ)。沒有了節(jié)奏，再花俏的技巧也只能是無源之木、無本之水。千萬不要為了表現(xiàn)自己的個性，而失去節(jié)奏和音準。要研究總譜，注意每一個節(jié)拍、符值、連線。要知道古典音樂演奏方向的教授們，一定不希望你是一個自由發(fā)揮的演奏家。因此，越到最后越是要做到慢練。說起來很容易，可是當你形成習慣，每次急匆匆的彈完，你發(fā)現(xiàn)你根本不會慢下來了。這時候，如果你已經(jīng)體會到問題，可以適當使用節(jié)拍器來糾正壞習慣。
第三，音樂風格。這一點我要強調(diào)三遍！比如你在演奏莫扎特曲目的時候，一定不能太過高昂和激蕩，因為莫扎特的風格以細膩、輕盈、含蓄華貴，而有強烈的古典色彩。顯然，如果你把莫扎特的曲子彈得不知道是誰，那你就該打道回府了。
第四，強弱對比。這句話可以再分解，該強的強，該弱的弱。簡單來說，就是強弱度要合適。對專業(yè)選手而言，這一點代表著基本水平，因為它隱含著選手對作品的理解。很多學琴的人對此深有體會。如果你總是習慣性地表達過強，那么當曲子演奏到高潮，你是打算刺穿所有面試官的耳膜嗎？反過來說，某個PART強度很弱，你需要弓著身子氣若游絲表達嗎？事實上，強弱的對比一定是基于你對曲子的理解。這一點我認為比目光交流和微笑還要重要和致命。尤其是對于沒有太多舞臺經(jīng)驗的學生，容易在強弱上失控，上臺后自己耳朵聽不見自己的琴聲，更別說面試官了。
第五，提前預演?？梢栽诤门笥鸦蛘呤煜さ膸熼L面前，多做幾次預演，緩解緊張。
第六，穿著得體，舉止得當。小鮮花小鮮肉不能穿戴花枝招展，奇裝異服，過多裝飾，這些我就不再多說了，都get到了吧！
第七，準備好向校方提問的有意義的問題。盡可能多做功課，多了解對方院校、教授、專業(yè)、名額，以及各種項目等。
第八，提前候場，微笑離場。入場的時候，請以禮貌、友好而自信的目光向在場人員致意。同樣，離場的時候向所有評委表示誠摯感謝，注意目光務必要到每一個人身上。
附上面試演奏的曲目：
一、鋼琴曲目
1. A Prelude and Fugue by J. S. Bach from the Well-Tempered Clavier
2. A complete sonata by Haydn, Mozart, Schubert, or Beethoven, excluding Haydn juvenilia or Mozart K. 545 or Beethoven op. 49 & 79
3. A complete work of a 19th-century composer
4. One piece or single movement by a contemporary composer
5. An etude of virtuosity at the level of those by Chopin, Liszt, Rachmaninoff, Scriabin, Debussy, Bartok, Stravinsky orLigeti.
二、聲樂曲目
Vocal Audition Requirements
1. One art song in Italian
2. One art song in French
3. One art song in German
4. One art song in English
5. One opera aria
6. One oratorio aria
7. An additional selection in a fifth language
三、小提琴面試曲目
1.From J.S. Bach-Unaccompanied Sonatas and Partitas:
2.Two major contrasting movements from the sonata or duo repertoire with piano 3.One complete major concerto work (with applicable cadenzas)
4.A virtuoso concert piece by composers such as Paganini, Sarasate, Vieuxtemps, Wieniawski, or Ysa?e (any works not written for solo violin must be performed with accompaniment).
5.One commercially published work written after 1980 (a movement from a multi-movement work does not count as a work)
四、薩克斯面試要求
A)古典薩克斯
1. Ibert Concertino da Camera (pub. Leduc), or a comparable work;
2. Choose one of the following (or a comparable work):
?Creston Sonata, Op.19 (pub. Shawnee); 2 contrasting mvmts ;
?Dahl Concerto (pub. European American Music); 2 contrasting mvmts ;
?Denisov Sonata (pub. Leduc); 2 contrasting mvmts ;
?Glazounov Concerto (pub. Leduc) ;
?Harbison Sonata "San Antonio" (pub. Schirmer-AMP); 2 contrasting mvmts ;
3. Two orchestral excerpts from The Orchestral Saxophonist, Vol.1 (pub. Roncorp). Suggested excerpts:
?Mussorgsky-Ravel Pictures at an Exhibition;
?Prokofiev Lieutenant Kije ;
?Rachmaninov Symphonic Dances .4. Two contrasting études；
B)爵士薩克斯
1. Prepare a solo piece including playing the melody and at least 3 improvised choruses of a jazz standard (any style)
2. Prepare at least two blues heads and improvise on the changes
3. Prepare the melody to one jazz standard ballad and improvise at least one chorus
4. Prepare the melody to one medium swing tempo jazz standard of your choosing and improvise at least one chorus
5. Prepare the melody to the jazz standard "All The Things You Are" and improvise at least one chorus
6. Prepare the melody to the jazz standard "Oleo" and improvise at least one chorus
五、單簧管面試曲要求
Clarinet Audition Requirements
1.Two contrasting Etudes from Rose 32 Etudes
2. Mozart clarinet concerto
3. A prepared piece of the applicant’s choice
4. A work composed since 1970. This may be a concerto, a work with piano, or one for solo clarinet.
5.Three to Six orchestral excerpts:
六、大提琴面試曲目
1. One piece of applicant’s choice (must be a commercially published work)
2. Two contrasting movements of an unaccompanied Bach suite
3. One complete concerto or major work from the standard cello repertoire
4. A complete sonata or other duo work for cello and piano
5. A commercially published work written after 1970
七、音樂制作曲目要求
Applicants should submit Three to Five works that reflect their experience in computer music and other art media or interdisciplinary forms，showing an awareness of 20th-century composition. If your work is produced primarily through electronic/recorded media, evidence of skill in written musical forms, such as scores, must be added.
八、音樂劇面試曲目
1.Musical theater applicants must prepare two brief, contrasting songs from the Broadway repertoire: one ballad and one upbeat selection. And one should be written before 1965
2.Two short, contrasting monologues from the following: Modern, post-war literature: examples of post-war dramatists are Miller, Williams, Albee, Inge and Shepard. Classical literature: examples of classical pieces include Shakespeare’s comedies and histories or Moliere.
3. Present a 30-60 second clip of yourself moving/dancing. Your full body should be in view at all times. You may choose a cut from a musical or a dance performance in which you participated, or record something original. Any style is acceptable: musical theatre, ballet, jazz, tap, hip-hop, etc. Wear appropriate dance attire that will show clean line.
九、流行音樂面試曲目
Part One: Prepared Pieces
Your prepared piece should demonstrate significant understanding of musicality, expression, phrasing, appropriate articulation; excellent intonation and tonal quality; and clarity of articulation or enunciation of notes (and lyrics for vocalists). Your audition performance should be delivered in a manner that is appropriate for the style of the piece. Berklee embraces and values all styles of music, so you should prepare Three pieces that you are comfortable with and that displays your strengths as a musician. It should be should be in any style that demonstrates your instrumental proficiency and your overall musicianship. Here are some guidelines that may help when selecting your prepared piece:
?You might choose a tune from a well-known artist or band (in any style).
?You might choose a jazz or blues standard tune (which may include rhythm changes) to which you have the option of adding your own improvisation.
?You might choose a composition from the instrumental/voice repertoire or a movement, sonata, concerto, or etude. You might choose a tranion of a well-known artist’s solo.
Part Two: Sight Reading
While sight-reading, you should display strong accuracy of rhythm, pitch, and tone in order to achieve an interpretation that conveys musical substance with phrasing and expression appropriate to the style of the example provided.
Part Three: Improvisation
We would like to hear you improvise over a short progression to gauge where you are in your development. Your prepared piece may also include improvisation, but it is not required.
Part Four: Melodic and Rhythmic Playback
We recognize it is common for applicants to have imbalances in their playing abilities, and we realize that applicants may not have advanced skills in improvisation, reading, or ear training. We take a holistic approach in our evaluation process; each component of the audition helps the audition team assess your overall abilities as a musician and your potential for success at the master’s program level.
十、長笛面試曲目
Flute Audition Requirements
1. Any sonata by J.S. Bach.
2. Mozart Concerto in G or D - complete.
3. Major contemporary work (complete sonata, concerto, or substantial work).
4. Two additional complete works of contrasting styles and periods.
5. Five Orchestral Excerpts displaying a variety of styles. 免費獲取《留學申請攻略》 一鍵領(lǐng)取